An image of the Radio City Music Hall sign in NYC is seen on the seatback IFE.

Room for improvement in KLM economy class aboard the 787-10

Cartoon of passengers, flight attendant and pilots onboard an aircraftThe transatlantic market is fiercely competitive, with many legacy carriers of different airline alliances plying key routes between Europe and North America. Here, even small comforts in economy class can help an airline differentiate its product, whilst making a big difference to the passenger experience.

On a recent flight from Amsterdam Schiphol to New York JFK, I discovered that SkyTeam member KLM Royal Dutch Airlines has room to improve its competitive positioning in the market.

Following a short-haul connection to Schiphol, I arrived at my gate to find boarding underway for the KLM 787-10 twinjet. The boarding process was efficient, with each group called in turn. Holding a Group 3 designation, I was on the plane some 30 minutes before departure.

After being perfunctorily welcomed by the crew, I found my ‘Economy Comfort’ seat at the front of economy class. This is the same Recaro seat as in standard economy, but has a few extra inches of legroom to spread out, plus a deeper recline.

KLM economy class seat is blue with a grey headrest. A pillow and blanket await the passenger.

The economy seats were comfortable and fitted KLM’s brand. Image: Fintan Horan-Stear

The 9-abreast economy class cabin is reasonably appointed if slightly conservative, with greys and blues dominating the carrier’s palette. Each seat has a leather effect headrest with adjustable wings, plus seatback IFE with a USB-A charging port.

A low-quality pillow and blanket awaits each passenger at their seat. And headsets are handed out after boarding.

As a very tall passenger, I was certainly glad of the extra space provided in Economy Comfort. 

A man's knees are seen a decent distance away from the aircraft seat in front of him.

The Economy Comfort model is an attractive one. Image: Fintan Horan-Stear

As boarding continued, I inspected the IFE content, which was certainly good enough, and included all the latest blockbuster movies. A neat feature of the system’s GUI is that it organises content by both genre and age so you can select films based on their vintage.

I also loved the fact that you can turn off the blue lights on the IFE to aid sleeping, or leave them on to assist with finding the ports. 

An image of the Radio City Music Hall sign in NYC is seen on the seatback IFE.

The IFE was easy to use. Image: Fintan Horan-Stear

Following boarding, a safety video was played that was unnecessarily complicated. The instructions were presented as animated delft pottery tiles, adding a layer of complexity that I reckon passengers could do without. 

KLM aircraft safety video is being shown on the seatback IFE.

The video did at least use symbols familiar to passengers. Image: Fintan Horan-Stear

Following a smooth takeoff, I decided to spend the first half of the flight watching Oppenheimer. The quality of the screen was sufficient, and certainly good enough for a drama, but I avoided watching any visually spectacular films. I tried to log into the Wi-Fi but it wouldn’t work for me. 

The crew began the first trolley service by handing out a bottle of tepid water. Shortly thereafter, as is usual, speciality meals were served first. I had ordered an Asian vegetarian meal, and was given something called “chickpea masala” though it tasted like basil and mashed potato. I can only assume that this was a misprint, but it was a distinctly odd dish that was not very enjoyable. 

The piping hot main was accompanied by a plain salad and chalky apricot cake. When the regular service began, I was able to snag a warmed bread roll too. This was the highlight of the meal for me. 

A specialty veggie meal served during the KLM flight.

The water helped to wash it down Image: Fintan Horan-Stear

At this point, I was offered a beverage. Only beer, red or white wine, or soft drinks were available. No spirits or sparkling wine were on offer in economy class.

I asked for a sprite and was served a small amount poured from a can into a plastic cup. The cheapness of the drinks service was notable, and egregiously out of kilter with some of KLM’s competitors. 

Later, a spiced cake and coffee service were distributed, which was a nice touch. Throughout, my flight attendant was diffident to the point of rudeness. 

A cup of coffee and a tart are displayed on the KLM aircraft tray table in economy.

The crew made me a decaf coffee on request. Image: Fintan Horan-Stear

After finishing Oppenheimer, I went to the back galley in search of a glass of water and a snack. Crew members pointed me to a much depleted ‘snack and drinks’ bar facing away from the cabin, and then returned to their conversation. I took my cup of water and Stroopwafel back to my seat before starting Tomb Raider.

Two hours before arrival a flight attendant presented me with my pre-descent snack (again with no drink), which was a sort of vegetable pastry. It was filling, but very dry, and lacked any spices. 

A pastry wrapped in plastic is severed in economy on a KLM flight.

It was hard to tell what sort of pastry this was meant to be. Image: Fintan Horan-Stear

A short while later, the full snack and drink service began, and I spotted a bottle of cava passing by my seat. When I asked for it, the crew member gave me a bemused look and said “white wine?” rather than say I could not have it. I decided on another snifter of sprite rather than argue the point. 

This final experience rather summed up my KLM flight, and as we came into land at JFK I felt disappointed.

KLM’s cabin is acceptable if plain, and its IFE is up to par. But the carrier’s onboard service, certainly on this flight, was deficient. The disinterested crew made me feel unwelcome. And the meagre beverage options paled in comparison to what KLM partner Delta offers, for example. Some small tweaks would substantially improve the overall passenger experience aboard KLM long-haul.

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Featured image credited to Fintan Horan-Stear